
The beautiful enameling and striking color combination keeps me
coming back for more and more pieces from this rare Trifari
Egyptian-motif enamel jewelry group. Since it dates to the
mid-1970's and is "new" by vintage jewelry standards, it is my
goal to obtain examples in mint or near mint condition.
I am often asked if I wear the jewelry in my collection.
In this case, the answer is "yes." This Trifari set
coordinates with jeans - my usual attire. Shown against
the background of a white shirt or sweater, the colorful
enameling POPS!! |
 

Close view of the scarab brooch, Trifari signature with the
copyright symbol, and rare bird motif pendant. The
dangling cross-style symbol is an Ankh representing immortality
or everlasting life. |

Jelly belly jewelry is always welcome in my collection
especially sweet little critters like this 1943 Trifari jelly
belly rabbit. This piece is especially precious to me
because he was a gift from my brother. |
 
 
Copy of the 1943 Trifari design patent issued to Alfred
Philippe for Trifari on March 2, 1943, back view of the rabbit,
close view of the Des.Pat.No. 135169 stamped into the metal,
close view of the crown Trifari mark on one ear. This
cutie is also stamped sterling. |

I
devote an entire chapter to Takahashi bird pins and the
fascinating history of the Takahashi family in Collecting
Costume Jewelry 303. I was privileged to interview
Carol Takahashi, granddaughter of Yoneguma and Kiyoka Takahashi,
for this chapter. In an amazing act of generosity, she
permitted me to photograph a portion of her private collection
for the book.
At
the start of World War II, many Japanese-American families were
forced to relocate to internment camps. Yoneguma and
Kiyoka Takahashi, and their three young sons, were transported
to a camp in Poston, Arizona. There, they learned to carve
and paint wooden bird pins. Yoneguma and Kiyoka excelled
at this craft.
When finally released from the camp, and unable to find work,
the couple continued to produce these beautiful works of art for
over thirty years. Each and every bird was hand-carved and
hand-painted by Yoneguma and Kiyoka Takahashi. Only the best
birds, the ones Kiyoka Takahashi considered to be the finest,
were signed.
I
fell in love with the Takahashi bird pins while working on this
chapter and could not resist acquiring the Canada goose pin
shown here. It is especially wonderful because the pin is
signed, in mint condition, and comes complete with the original
identification card.
|
 
Back view of the Canada goose pin showing two important
features. First, the pin back is attached with push pins
rather than screws. (Reproductions are often found with
screw-style fasteners.) In addition, this beautiful goose
is signed K.T. for Kiyoka Takahashi.
Notice the detailed painting, including the expressive eye.
Each pin was originally sold with an identification card like
the one shown here. |